Download PDF by Caroline Bithell: A Different Voice, A Different Song: Reclaiming Community
By Caroline Bithell
A varied Voice, a distinct Song strains the heritage of a grassroots scene that has previously operated principally underneath the radar, yet that has been lightly collecting strength because the Seventies. on the middle of this scene this day are the usual voice move, based at the premise that "everyone can sing", and a becoming transnational group of novice singers partaking in multicultural track job. writer Caroline Bithell unearths the fascinating net of conditions and motivations that hyperlink those developments, highlighting their power with appreciate to present social, political and academic agendas. She investigates how and why songs from the world's oral traditions have supplied the linchpin for the average voice move, revealing how the musical traditions of alternative cultures not just offer a colorful repertory but additionally tell the ideological, methodological and moral ideas on which the circulation itself is based. A varied Voice, a special Song attracts on long term ethnographic learn, together with participant-observation at choir rehearsals, performances, workshops and camps, in addition to interviews with voice lecturers, choir and workshop leaders, camp and competition organisers, and normal individuals.
Bithell exhibits how beginner singers who're no longer musically literate can develop into efficient members in a colourful musical group and, within the approach, locate their voice metaphorically in addition to actually. She then follows a few of these singers as they trip to far-off destinations to benefit new songs of their typical habitat. She theorises those tendencies by way of the politics of participation, the transformative strength of functionality, development social capital, the worldwide village, and reclaiming the humanities of party and conviviality. The tales that emerge show a nuanced internet of intersections among the neighborhood and worldwide, one that calls for a revision of the dominant discourses of authenticity, cultural appropriation and organization within the post-colonial international, and eventually issues in the direction of a extra innovative politics of difference.
A diversified Voice, a distinct Song can be an important textual content for practitioners excited about the usual voice flow and different vocal methodologies and choral worlds. As an important learn within the fields of ethnomusicology, song schooling and neighborhood tune, the publication can also be of curiosity to students learning the democratisation of the voice, the dynamics of participation, global musics in functionality, the transformative energy of concord making a song, and the potential for music-making for maintaining neighborhood and helping intercultural knowing.
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Additional info for A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song
In Chapter 7, then, I turn to the world of natural-voice-style community choirs, set within the broader context of amateur choirs and choral singing, both contemporary and historical, and of generic considerations of the ways in which singing may be construed in relation to health, happiness, and wellbeing. Particular attention is paid to notions of community and to the ways in which personal rewards intersect with social impact. This part of my discussion includes short, contrasting case studies of Bangor Community Choir (in North Wales) and the London Georgian choir Maspindzeli.
While in many cases these songs from elsewhere represent one element in an even more eclectic programme, some choirs devote themselves exclusively to this repertoire and may refer to themselves specifically as “world music choirs”. Singing songs from other parts of the world is, of course, nothing new. Some readers may have memories of their days as Girl Guides or Boy Scouts, singing African, Maori, or Native American (“Red Indian”) songs around a campfire—songs that served as common currency throughout the movement.
In the next circle are the singers who perform this repertoire and the contexts—mainly local but also regional and national—in which such performances take place. In Chapter 7, then, I turn to the world of natural-voice-style community choirs, set within the broader context of amateur choirs and choral singing, both contemporary and historical, and of generic considerations of the ways in which singing may be construed in relation to health, happiness, and wellbeing. Particular attention is paid to notions of community and to the ways in which personal rewards intersect with social impact.
A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song by Caroline Bithell